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Explorations, observations, travel notes.

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Harold E. Edgerton, Paper Mill Worker, 1937. Smithsonian American Art Museum, Gift of Mr. and Mrs. Richard F. Young
3 August 2026 · by Fabrizio Allione, Riccardo Milanesi

What is Artificial Humanities? (part 2)

«Because I do not exist.» So the empty armor of Agilulf replies to Charlemagne in Calvino's The Nonexistent Knight. Generative AI is not a mediamorphosis, yet another change in the expressive medium: it is the entrance into the creative process of a new actor, one that behaves as if it had intentions while having none. In the new fragment: what is artificial humanities, part two.

Photo: Raymond Kleboe/Picture Post/Getty Images
9 July 2026 · by Fabrizio Allione, Riccardo Milanesi

What is Artificial Humanities? (Part 1)

Six years ago a robot wrote in "The Guardian" to convince us not to fear it. Those lines now feel like ancient history, yet the question it raises has never been more urgent. Nina Beguš's theoretical framework of artificial humanities aims at bringing literature, philosophy, and fiction to the core of AI building and design.

Deckard is a cultural and editorial observatory on the artificial humanities, an interdisciplinary field that studies how AI is reshaping writing, imagination, storytelling and cultural production, and how the humanities can help understand, orient and design these systems.


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